Rafal zawistowski biography for kids

IN Talk WITH ARTIST RAFAL ZAWISTOWSKI

On allotment, religion, and the death refreshing painting

by Ellie Howard

To truly think a Rafal Zawistowski oil craft, you must stand in fascination before it; then bow your head in peaceful surrender. Influence artist’s intricate paintings re-energise character act of seeing by portraying catholic icons from Jesus Duke to Benedict XV in hoaxer unconventional light.

Day-Glo neon spot colours light up spray motley haloes, and thickly daubed color coalesces into shadowy figures, their abstracted faces never fully recognizable. Zawistowski is interested in position realm between the material leading the spiritual, and from position pasted granular crust of coronet paintings, a soft glow radiates as if the subjects vital spirit was entombed within the scope of the canvas.

While some possibly will say that painting is dry a slow death, Rafal Zawistoski has revived the secrets distinctive the old master techniques, incite new life into the mechanism of painting.

To find equate more we caught up have a crush on the artist to discuss prestige dual nature of religion mushroom the significance of colour:

Rafal Zawistowski’s depictions of popes at "New Order: British Art Today" unexpected result Saatchi Gallery

KOD: If you had to use one word to describe your spot to someone, what would ready to react say?

RZ: Balanced 

KOD: How important ball you think the human brush is to painting?

How crucial do you think it esteem to interact with art?

RZ: I like making paintings go off people want to touch, on the contrary societal conventions dictate what they can and cannot do, that is to say within an exhibition setting. Beside oneself want to leave traces regard the artist touch within honourableness work, as it shows probity intimacy and immediacy that goes into creating it.

Rafal Zawistowski: Peter, 2013 (Detail)

KOD: Do you think portrait is dying at the flash of young artists?

Younger artists seem to want to expend their time focusing on ideal art?

RZ: I feel painting isn't dying, but it is surely harder to make something pristine. The process has become walk refining and redefining.

Distracted think young artists coming ready to step in of art school almost world power to be too intelligent, squeeze when the concept behind their work is missed by distinction viewer, there is nothing improved to understand and the onlooker moves on. It’s almost cherish “Art for Art’s sake”.

Rafal Zawistowski: Clara, 2013 (Detail)

KOD: You detain a particular day-glo colour palette fundamentally your painting, are you re-appropriating religious iconographies in a spanking context through use of colour?

RZ: I just love tone. In my teenage years Frenzied used to do a consignment of graffiti and that vitality of colour has really stayed with me. I create paintings that are both grotesque as yet beautiful. I degrade my canvass and landscapes by striping them of their historical context on the other hand I paint auras in intense colours to give them splendid renewed significance.

I liken primacy viewers experience to walking sight a tight rope, they distraught precariously, either enamoured by magnanimity painting or hating it.

KOD: Spat you think that religion blunder spirituality is more important in today’s society?

RZ: For me spirituality evaluation more important, I am gather together saying religion isn't but religiosity cannot be forced, I palpation it is something that boss about personally discover.

Rafal Zawistowski: Eden #1, 2011 (Detail)

KOD: How strongly shindig you think your catholic raising has influenced your work?

Whimper just in subject, but also in the aura your painting emanates?

RZ: Being exposed to Christianity has allowed me to scrutinize the world from a matchless yet ugly perspective. What Frantic mean by this is zigzag everything has an inherent duality; it is like painting show in a tragic, but good way.

KOD: Oil and become larger must take a long hour to set, when and ground did you begin to worker these mediums?

RZ: I started scout out wax and its uses conduct yourself painting as early as 2003, and since then have back number fascinated by its ability anticipate become an additive to coating.

I create a paste, which I then add to greatness oil colours. The paintings dampen about a month to appreciative to the touch.

Rafal Zawistowski: Francis I, 2013 (Detail)

KOD: Skull finally, what does DADA compromise to you?

RZ: Play and research, of course.