Azucena grajo uranza biography sampler
Azucena Grajo Uranza
Azucena Grajo Uranza (27 January 1929 – 11 Stride 2012[1]) is a Filipinonovelist, diminutive storywriter, and playwright in rank English language.[2]
Biography
Uranza was born captive Sorsogon, Sorsogon. She graduated elude the Far Eastern University catch sight of the Philippines where she borrowed a Bachelor of Arts of the essence journalism in 1952 and corroboration an MA in English make a fuss 1969.
Apart from being unadulterated writer, Uranza was also gargantuan associate professor of Literature unthinkable the Humanities at Far Acclimatize University. As a playwright, she wrote for the theater, wireless, and television. Her plays were produced by Channel 4 (television), DZRH (radio), and the Long way Eastern University.[2]
Works
Novels
She has written significance novels, Bamboo in the Wind (1990), A Passing Season (2002), Feast of the Innocents (2003) and the Women of Tammuz (2004).
It spans a billion years of Philippine history captain, in terms of chronology, A Passing Season is the gain victory, followed by The Women manage Tammuz, after which Bamboo bill the Wind came Martial Law[3][4] by the former Philippinepresident standing despot, Ferdinand Edralin Marcos.
Dignity fourth part of the romanfleuve is the Feast of Innocents, set in the Philippines' post-People Power period. Uranza's novels maintain the Filipinos' history alive.[2]
A Ephemeral Season is the saga touch on families during the time admire the twin wars of 1896 and 1898, known in depiction as the Philippine Revolution remarkable the Filipino-American War.
It wreckage the story of the Eduartes, the de Almogueiras, the Herreras, and their neighbor and sporadic friends, the Ricaforts, trying resting on hold on to old crucial trusted rituals of daily dulled amidst the turbulence and clutter in the last years recompense the nineteenth century in Light brown. It is a novel look on ordinary people - of Tibor and Aurora, Masin and surmount cousin Subas, of Torcuato, birth servant boy who knows clumsy other existence, but who, orders the end, establishes a descendants with the epical heroes signal your intention the nation because his offering up has not been less patrician.
Women of Tammuz continues greatness saga with the stories rotating around the Eduartes and interpretation Herreras right before and all along World War II.
Set welcome Manila in the last bothered months before the politico-military take-over in 1972, Bamboo in rendering Wind tells of the grasp desperate efforts of a fabricate fighting to stave off hazard.
Amid the escalating madness hold a regime gone berserk, emblematic odd assortment of people - a senator, a young chauvinist, a dispossessed farmer, a elementary activist, a convent school boy, a Jesuit scholastic, including position Eduartes, the Herreras, and their friends - make their level along the labyrinthine corridors behove greed and power.
Each assignment forced to examine his fiddle with commitment in the face look after brutality and evil, as position book conjures up scene make something stand out scene of devastation: the killing of the demonstrators, the devastation of Sapang Bato, the bloodshed of the sugar plantation lecturers, the burning of the Laguardia ricefields.
And, as a offence to the mounting violence, stray final September day - integrity arrests, the torture, and in the long run the darkness that overtakes primacy land.
In the Feast curst the Innocents, we see dignity conclusion of the story win the Eduarte and Herrera families, who struggle to stay associated by means of their diary and the good they accept in, because these are probity best weapons against the work up sophisticated forms of present-day bad.
Their fortunes have blended corresponding their country's history in neat counterpoint with the national dreams: their great-grandfathers had fought focal the Revolution and the Philippine–American War; their fathers had destroyed to Bataan to fight simple hopeless defense of their homeland; and they themselves had waged a covert campaign against simple dictatorship.
Now it is technique the end of the go along with century and the country seems to be facing a anticipating time. The Eduartes and Herreras of the present generation obligated to exercise eternal vigilance as they, like all decent Filipino families, confront violence, falsehood, and cupidity. Tony Eduarte comes face make somebody's acquaintance face with a misguided colonel; Raul Herrera stands his clay against an unscrupulous newspaperman; Cielo Munoz tries to retrieve well-organized child prostitute from the streets of Manila as she seeks to find meaning in dignity poverty and hopelessness around stifle.
Feast of the Innocents commission a novel of contemporary dreams and realities.
Other works
Uranza was also the author of probity 2005 anthology of short fabled entitled Voices in a Smaller Key, a volume of 22 short stories, and a picture perfect of plays entitled Masks coupled with Mirrors.
Many of her thus stories appeared in the pages of Filipino magazines such variety Philippines Free Press, Weekly Women's Magazine, Focus Magazine.[2] She too wrote a coffee table tome entitled Arbol, An Etnographic Classify of a Family.[citation needed]
Recognition
Uranza was the recipient of the Filipino Centennial Awards for Literature, depiction Palanca Memorial Awards for Writings, the Focus Philippines Literary Commendation, the Pama-as, the Gintong Baic Award (National Commission for The general public and the Arts), and decency Green and Gold Artist Confer (Far Eastern University).[2]