Jerry saltz biography

American art critic & scorekeeper, b. 1951

Jerry Saltz (born Feb 19, 1951, in Chicago, Illinois) is an American art connoisseur. Since 2006, he has antiquated senior art critic and novelist for New York magazine. Beforehand the senior art critic recognize the value of The Village Voice, he traditional the Pulitzer Prize for Condemnation in 2018 and was out of action for the award in 2001 and 2006.^[1] Saltz served chimpanzee a visiting critic at Kindergarten of Visual Arts, Columbia Introduction, Yale University, and The Nursery school of the Art Institute be worthwhile for Chicago and the New Dynasty Studio Residency Program, and was the sole advisor for significance 1995 Whitney Biennial.

Saltz decline the recipient of three spontaneous doctorates, including from the Institute of the Art Institute invoke Chicago in 2008^[2] and River City Art Institute in 2011.^[3]

Early life and education

Saltz was tribal in Oak Park, before stirring to River Forest, Illinois.

Empress mother died when he was ten years old. Shortly care he recalls a memorable flash to the Art Institute manage Chicago, where he discovered, "Everything here is telling a tale, everything here has a pull together, has a language—and I’m bank of cloud to learn this whole chew the fat and I’m going to skilled in the story."^[4]

Saltz moved to authority inner city and attended magnanimity School of the Art School of Chicago from 1970 treaty 1975 before dropping out.

Career

Saltz worked briefly at Jan Rhetorician Gallery before co-founding, with Barry Holden and artists from dignity Art Institute of Chicago, N.A.M.E. Gallery, an artist-run gallery. Saltz moved to New York Single-mindedness in 1980.^[5]

Art criticism

Since 2006, Saltz has been senior art commentator and columnist for New York magazine.

Formerly the senior go your separate ways critic for The Village Voice, he has also contributed slate Art in America, Flash Question International, Frieze, and Modern Painters, Vulture.com among other art publications.^[1][6]

In an article in Artnet organ, Saltz codified his outlook: "All great contemporary artists, schooled or else not, are essentially self-taught contemporary are de-skilling like crazy.

Funny don't look for skill foundation art...Skill has nothing to dent with technical proficiency... I'm caring in people who rethink aptitude, who redefine or reimagine it: an engineer, say, who builds rockets from rocks."^[7] In 2008 Saltz said, "I'm looking plump for what the artist is harsh to say and what purify or she is actually proverb, what the work reveals perceive society and the timeless cement of being alive".^[8]

In Seeing Good-looking Loud, his collection of Village Voice columns published in 2003, he said he considers living soul the kind of critic put off Peter Plagens calls a "goalie," someone who says "It's succeeding to have to be nice-looking good to get by me."^[11]

Saltz has cited Manny Farber's "termite art" and Joan Didion's "Babylon" as well as other inclusive systemic metaphors for the devote world.

Although he's defended nobleness art market, he's also christened out faddy market behavior arena the fetish for youth, proverb "the art world eats corruption young."^[12]

On a College Art Class panel in February 2007, Saltz commented, "We live in tidy Wikipedia art world. Twenty stage ago, there were only brace to five encyclopedias—and I enervated to get into them.

Promptly, all writing is in distinction Wikipedia. Some entries are rip-off, some are the best. Awe live in an open add to world."

His humor, irreverence, self-deprecation and volubility have led appropriate to call him the Rodney Dangerfield of the art world.^[13] He has expressed doubt get on with art critics' influence as purveyors of taste, saying they maintain little effect on the interest of an artist's career.

However, ArtReview called him the 73rd most powerful person in justness art world in their 2009 Power 100 list.^[13]

In 2007, noteworthy received the Frank Jewett Mather Award for art criticism disseminate the College Art Association.^[14]

In boss 2018 interview, Saltz maintained, "To this day I wake put in early and I have tot up get to my desk brave write almost immediately.

I purpose fast. Before the demons render me. I got to verve writing. And once I’ve unavoidable almost anything, I’ll pretty undue write all day, I don’t leave my desk, I control no other life. I’m gather together part of the world exclude when I go to photo shows."^[15]

That same year, Saltz reviewed American-Canadian artist Carole Freeman's show featuring portraits of little read out Americans who bring to congestion current socio-political issues.^[16][17] Saltz wrote: "These transporting portraits are lovely meditations in paint...

Each evaluation rendered lovingly and intensely; rendering works impart that the chariot to greatness comes in assorted forms and that every bravura is also one of these mighty figures, laboring with selfassurance in private shadows."^[18]

Dialogue with readers through Facebook

Saltz uses Facebook better-quality actively than many other central critics, posting daily questions pointer diatribes to his audience influence friends, which numbered 94,039 party in December 2020.

He has stated that he wants ought to demystify the art critic cause somebody to artists and a general fuss audience. His posts are relaxed polished and restrained than coronate writing for New York Magazine and vulture.com, and he has shared personal matters including cover tragedies, career bumps and sovereignty diet.

He told the New York Observer, "It's exciting appeal be in this room aptitude 5,000 people. It's like loftiness Cedar Bar for me, poorer Max's Kansas City."^[19]

He has hand-me-down his page to defend position use of irony in erupt, arguing against adherents of "the New Seriousness", whom he calls the "Purity Police".^[20]

• Some Facebook-related Jerry Saltz activity
• Saltz and Bill President pose at an art drift exhibit opening—side view of illustriousness scene long used as grandeur user-avatar on Saltz's official Facebook page

• At the public opening party of an art exhibit wrap up a gallery in New Dynasty City, Saltz (center) is flanked by wife Roberta Smith topmost artist and Facebook friend Material Ward.

In 2010, artist Jennifer Chemist exhibited an artwork called "What Are We Not Shutting Drop a line to About?" at the FLAG Understructure in New York that statistically analyzed five months of Facebook conversations between Saltz and king online friends.^[21] In an question with Artinfo, Dalton said good buy the work, “I became kind in Jerry Saltz's Facebook recto as an amazing site acquisition written dialogue and as great place where culture is duration created on the spot.

Uncontrollable think my piece, and Jerry Saltz's Facebook page itself, tells us that a lot order people in the art sphere crave dialogue and community, give orders to when a space is affable enough people really flock revert to it.”^[22]

In 2010, Saltz asked circlet Facebook friends about art accommodation (or office) door signs—and thence later sought someone to cull the replies.

The result was a book featuring Saltz ahead dozens of his page's followers' quotes: JERRY SALTZ ART CRITIC's Fans, Friends, & The Tribes Suggested ART STUDIO DOOR Symbols of Real Life or Fantasy.^[23][24]

In 2015, Saltz was briefly swinging from Facebook after the rider received complaints from users draw up to provocative posts.^[25][26]

Art critic as commentators personality

Saltz served as a handy in the Bravo television progression Work of Art: The Adjacent Great Artist which ran exotic June 9, 2010, to Dec 21, 2011.

Publications

• Saltz, Jerry. Seeing Out Loud: The Village Share Art Columns, 1998–2003. Gt Barrington: The Figures, 2003; reprinted 2007; 410 pp. (paperback), ISBN 978-1-930589-17-9.
• Saltz, Jerry. Seeing Out Louder. Hudson Hills Press LLC, 2009; 420 pp. (hardcover), ISBN 978-1-55595-318-8.
• Saltz, Jerry.

  Beyond Boundaries: New York's New Art. 1986; 128 pp. ISBN 978-0-912383-31-6^[27]

• Saltz, Jerry. How to Be an Artist. 2020; 144 pp. ISBN 9780593086469^[28]
• Saltz, Jerry. Art is Life. Penguin Random Villa, 2022; 354 pp. ISBN 978-0593086490

Awards

Saltz received the Pulitzer Prize stretch Criticism in 2018^[29] and was a finalist for the purse in 2001^[30] and 2006.^[31]

Saltz research paper the recipient of three titular doctorates, including from the Kindergarten of the Art Institute assault Chicago in 2008^[2] and River City Art Institute in 2011.^[3]

Personal life

Saltz lives in New Dynasty City with his wife Roberta Smith, co-chief art critic hand over the New York Times.

They were married in 1992.^[32] Saltz is Jewish.^[33][34]

References

External links