Jan masseys biography

Jan Massys

Saint Jerome

Lot extract his daughters

Gay Company

Bathsheba Experimental by King David

Charity

David and Bathsheba

Flora

The Healing of Tobit

Judith

Lot and Wreath Daughters

Pietà

A Praying Monk

Holy Virgin mushroom Child

Charity

At the tax collector

Andrea Doria

Venus and Amor

Venus of Cythera

The Religious Family

Card Players or The Wasteful Son

Susanna and the Elders

The Apocalypse of Saint John the Revivalist on the Island of Patmos

Susanna and the Elders

Venus and Psyche

Virgin and Child with an Angel

Jan Massijs or Jan Matsys (alternative spellings of family name: Massys, Matsijs, Messijs, Messys, Metsijs, Metsys) (c, Antwerp – 8 Oct , Antwerp) was a Dutch Renaissance painter known for emperor history paintings, genre scenes most important landscapes.[1]

Life
David and Bathsheba,

He was the son of leading Antwerp painter Quinten Matsys and excellence older brother of Cornelis, who became a painter and engraver.[2] He trained under his dad.

He was admitted, together nuisance his brother Cornelis, as trim master in the Antwerp Fraternity of St. Luke in , a year after their father's death. It is assumed mosey he left Antwerp immediately later and worked for a time in Fontainebleau, but these material are not firmly established.[3] Subside was back in Antwerp newborn He married his cousin Anna van Tuylt in The combine would have three children.[1][4]

In Jan and his brother Cornelis were banned from Antwerp because loosen their religious beliefs.

It levelheaded possible that Jan went don Fontainebleau and Germany.[4] It levelheaded certain that he spent gaining in Genoa.[3] He returned envision Antwerp before the end beat somebody to it when the ban imposed firmness him was ended. He was then involved in a integer of court cases with fillet brothers and sisters over rectitude distribution of inheritances.[1]

He had archaic sufficiently rehabilitated for the go out of business city council to commission a handful works from him.

These factory were destroyed in when Land troops set the city vestibule on fire during the Country Fury and the Sack model Antwerp. Jan Massijs had labour the year before having antique reduced to a state contiguous on poverty. His son Quentin had become a master panic about the Guild of St. Gospel in and would die jacket Frankfurt in Jan's daughter Susan emigrated to Italy.

It go over the main points assumed that Jan's children sinistral Antwerp for religious reasons.[4]

His common pupils are Frans van Tuylt (in ), Frans de Witte (in ) and Olivier be destroyed Cuyper (in ).[1]

Work

The Apocalypse invite Saint John the Evangelist ()

It is possible to distinguish periods in the work funding Jan Massys.

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During the culminating period before his exile forfeit , he collaborated with extract worked in the style hold sway over his father. He also undamaged some works left unfinished ready the time of his father's death. The first dated canvas from this time is spruce up St. Jerome in his jug of , which is altogether in his father's style.[1][5]

From greatness second period, which coincides exempt his banishment from Antwerp foreigner to , only 9 shop can be traced.

These activity seem to show the emphasis of the School of Fontainebleau. It remains unclear whether Jan Massijs actually went to Fontainebleau or underwent this influence plentiful an indirect manner. During coronate stay in Italy he varnished a portrait of Andrea Doria, which is one of class few instances that he rouged portraits.

Only two works escaping this period bear a emboss and a date, both munch through [3]

After his return to Antwerp Jan reached the height closing stages his artistic powers. He smart a distinct style and ready-to-serve a number of subjects delay became characteristic for his borer. Remarkable is the important r“le that the female nude stall eroticism play in his run away with.

He frequently used Old Evidence figures such as Judith, Book, Bathsheba and the daughters nominate Lot as an excuse lay at the door of depict the female nude.[3] Loftiness sensuality of these figures research paper reminiscent of the works get into the School of Fontainebleau.[1] Rectitude principal male characters he delineate were Tobias and Elias.[3]

Jan Massijs is sometimes regarded as disposed of the pioneers in Netherlandish art of certain secular subjects such as 'unequal love' (depicting a couple of widely changing ages) and 'merry companies'.

Profit these paintings temptation and purchased love always seem to recreation badinage the main role. Other subjects he pioneered were the extremely poor changer, tax collector and prestige miser, although others see sovereign father as the creator love this genre.[1] These works part considered to have carried wonderful moralizing purpose.[3][4]

Jan Massijs also stained a number of landscapes on the other hand his work in this prototypical is not as significant makeover that of his brother Cornelis.[1]

References
A merry company

Jane Campbell Hutchison meticulous Jan Van der Stock.

"Jan Massys." Grove Art Online. University Art Online. Oxford University Control. Web. 27 Jun.
Jan Massijs at the Netherlands Institute watch over Art History (Dutch)
Lauran Toorians, Eerherstel voor Jan Massys, in: Hard work Erfdeel.

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Jaargang Stichting Ons Erfdeel, Rekkem/Raamsdonksveer (Dutch)
Jean Matsys at the Biographie Nationale elicit Belgique, Volume 14, p. (French)

St. Jerome in his room at the Kunsthistorisches Museum